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KNITTING FACTORY PRESENTS

Social Distortion, Aaron Lee Tasjan, Low Cut Connie

Events

Jul 7 Sat
Social Distortion, Aaron Lee Tasjan, Low Cut Connie8:00 PM | Doors: 7:00 PM
Knitting Factory Concert House - BoiseBoise, ID
All Ages
Buy Tickets $39.50 - $175.00

Social Distortion's Road Zombie Experience

includes:

- 1 GA ticket to the show

- Access to the Road Zombie pre-show cash bar

- 1 Skelly Keychain

- 1 Social D Car Club Plaque

- 1 Social D Sunshade

- 1 Social D Water Bottle

- 1 Social D Cinch Bag

- Early Entry

- First Access Merch Shopping

- 1 Commemorative Laminate and Lanyard

Social Distortion

"Ness is one of the most underrated pure songwriters in rock." – Los Angeles Times

Here's how you know you've made it in the music business: You've stayed strong for three decades on your own terms, on your own time, by your own rules, and over that time your influence has only grown. Each of your albums has been stronger than your last. You've been brought onstage by Bruce Springsteen, because he wanted to play one of your songs. You've seen high times and low ones, good days and tragic days, but every night you give 100%, and every morning you wake up still swinging.

This is the short version of the Social Distortion bio — the long version could be a 10-part miniseries. But over the past 30 years, the punk godfathers in the band have all but trademarked their sound, a brand of hard rockabilly/punk that's cut with the melodic, road-tested lyrics of frontman Mike Ness. Their searing guitars and a locomotive rhythm section sound as alive today as they did in '82, as do Ness' hard-luck tales of love, loss and lessons learned. "The most common thing I hear is, 'Man, your music got me through some hard times,'" Ness says. "And I just say, 'Me too.'"

Hard Times And Nursery Rhymes (produced, for the first time, by Ness himself) is the band's first record since 2004. For a band with a career spanning over 30 years, Social Distortion experienced a significant amount of firsts in 2011. For starters, Hard Times and Nursery Rhymes debuted at #4 on the Billboard Top 200 and was the highest debut that the band has yet seen. Hard Times was also the #1 Independent Album and the #2 Modern Rock/Alternative Album week of release. The band also made their late night television debut when they performed "Machine Gun Blues" on Jimmy Kimmel Live, and later played for Conan on Hard Times’ release date. Taking their successes to the road, Social Distortion played European festivals including Reading and Leeds for the first time. They also booked their first tours of Australia and South America. And finally, Social Distortion played Lollapalooza, Austin City Limits Festival, and Coachella – all of these for the first time.

Hard Times and Nursery Rhymes has Social Distortion's key components — their patented mix of punk, bluesy rock n’ roll and outlaw country — while also stretching the boundaries of their signature sound. Social Distortion is a blend of potent power that appeals to all ages. They are honored to have been able to reach as many people as they have so far. "I write songs for myself, and I hope that other people will like them too," Ness says. "I think every record you make is showing people what you've learned over the past few years. It's showing people, 'This is what I know.'

"Now in their fourth decade, Ness and Social Distortion have officially achieved one of the most nonpunk things possible: They've failed to burn out. 

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Aaron Lee Tasjan

East Nashville, TN November 2013-”Don’t walk away, I’m talking to you,” sings Aaron Lee Tasjan in the first chorus of the first song off of his new EP, Crooked River Burning. The song is aptly titled Don’t Walk Away and covers a lot of ground in four minutes and twenty-one seconds. It is, in it’s own way, much like the artist himself: filled with insight and brutal honesty, humorous and sincere in a fashion which is truly unique to the man delivering the song. These songs have been heard all across the USA this past year; in just about every bar, parking lot, van and music club that is still open and still puts on live music. As you listen to the songs on this EP, you begin to understand that while Tasjan seemingly works endlessly to bring his music to whomever will listen out on the road, he is also singing these songs because he has to. There is pain within the reedy Midwestern drawl of his voice but also the ability to laugh at life’s misfortunes and ultimately transcend them by putting into words and music all of his thoughts and experiences along the way.

Produced by Anton Fier (Bob Mould, Golden Palominos), the EP also features Fier on drums and Chris Morrissey (Taurus, Andrew Bird) on bass and upright bass. Recorded live with ALT, Fier and Morrissey all tracking at the same time, there is a feeling of immediacy and human interaction happening in these cuts that is greatly benefited by Tasjan’s laid back approach to technical prowess and highly effective regard for feel. The performances are spirited and the songs are of such quality that Tasjan was even recently honored by ASCAP at The Kennedy Center as one of America’s great songwriters of the next generation.

Now living in Nashville, TN, his list of accomplishments and accolades continues to grow, but one only need listen to the songs on this EP to realize that Tasjan can accomplish what few can musically, he can write songs that make you laugh and cry at once all while revealing himself to you in a manner such that you feel connected to something healing and powerful.

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