KNITTING FACTORY PRESENTS
Circa Survive, La Dispute, Queen of Jeans
Modern bands often seem faced with the choice between being challenging and being accessible. These ideas tend to be presented as opposite poles, two irreconcilable objectives that cannot co-exist without one taking precedence over the other. The time where unabashedly unconventional bands could engage the masses has long since past and those heavyweights have been relegated to the shelves of “classic rock,” with high concepts and grandeur replaced by irony and painful self-awareness. But for Circa Survive there exists another option, one where huge ideas and unbridled imagination can commingle with nuance and vulnerability. In their world, this dichotomy is not only achievable, it's essential, and it fuels the band's dauntless sixth full-length, The Amulet. From the release of their 2005 debut, Juturna, to their 2010 major label release, Blue Sky Noise, to today with The Amulet, Circa Survive has made a career of turning all of the things that make them difficult to categorize into their greatest strengths. The word “progressive” is often used to describe their sound, and while this term doesn’t really do justice to the band's distinct identity, it does conjure the scope and ambition of those iconic bands from decades ago, the ones that managed to capture the attention of mainstream audiences without sacrificing their esoteric tendencies. On The Amulet, Circa Survive continues this legacy, but filtered through the unique lens of their punk and alternative roots. Drawing on the raw power of punk and post-hardcore, the earnestness of emotional alternative, and the unrestrained experimentation of art rock, the band effortlessly creates a sound that can be compared to very few, but appeal to many. The Amulet's mix of intricate guitars, muscular bass, and interlocking drums creates a dynamic foundation for vocalist Anthony Green’s unparalleled voice; however, the magic of Circa Survive isn’t just technical skill, it’s an ability to blend that technicality with undeniable sense of melody and hooks. It’s this focus on uncompromising yet satisfying songwriting that compels listeners, no matter their genre-of-choice. Circa Survive’s sonic palette isn’t the only thing with which the band fearlessly experiments. The band’s use of overarching lyrical concepts from album to album has become just as pivotal to their identity. For Green, no idea is too big or too small, and everything can be explored with the same mix of wonderment, dark fascination, harrowing honesty, and hope. The Amulet pushes this approach to a demanding new level as Green examines parallels between the world ending, our chaotic social and political climate, and the very intimate strain of personal upheavals. A loss of innocence ties these drastically different threads together: a sense that certain events can irreparably change our perspectives and make it impossible to view our world, our governments, or our personal lives through the same rose colored glasses. Although many of the album's themes are dark and formidable, there is a sense of hopefulness that shines through The Amulet. Death is tied to birth, unrest is tied to revolution, emotional pain is tied to personal growth, and the only way to reach catharsis is to first lean into the storm. The Amulet is meant to be a tangible manifestation of that catharsis, the kind of relief that comes from accepting the pain of loss—personal, socio-political, and cosmic—and moving forward. These themes even apply to the band itself with Green saying, "the way the band was when it started is dead and this record feels like a bit of a rebirth in a lot of ways. Time has just weathered us, we got through the hard times and came out the other end, and I feel like this is the pinnacle of the band personally and creatively. It’s the most clear and concise version of what we are." After 13 years as a band, Circa Survive are no strangers to pushing sonic and lyrical boundaries, yet The Amulet still finds the band diving even farther into the deep end, pushing themselves to create brand new sounds, and taking on ideas that stretch from the universal to the most personal. In a musical landscape that seems predisposed towards instant gratification, Circa Survive may appear to be made from a mold that no longer exists, but fitting with modern bands or icons of the past has never been their goal. Circa Survive dares to ask more of themselves and their listeners—old and new— and in return they offer a soundtrack for the bold, the sincere, and the inquisitive
La Dispute has a firm passion for the concept of music and art as a medium for making new friends. As a result, La Dispute makes (or strives to make) music that is both artistically, technically, and emotionally engaging in hopes of establishing legitimate connections with any and all interested people, while encouraging dialogue between those people and themselves about things in life that truly matter and that truly last. La Dispute also carries a firm passion for the relevance of a live show, both for the bands involved and for the people in attendance, and will go to the grave believing that the environment created when strangers come together despite their differences to celebrate one important thing is invaluable and should not under any circumstances be taken for granted.
Crockpot Pop. It’s not a term you’ll be instantly familiar with, but it is a somewhat perfect descriptor of Philadelphia quartet Queen of Jeans. Intentionally tongue-in-cheek, the self-ascribed term was coined by the band to chronicle the haphazard nature of their core ingredients. They are a slew of sounds and influences in a juxtaposition that somehow strikes balance, sculpted over time into the refined and tenacious outfit they are today.
Prior to releasing their self-titled debut EP in early 2016, founding members Miriam Devora, Matheson Glass, and Nina Scotto had all played in other bands, but as had been all too common a practice a few years ago, were often accessorized and handed a tambourine instead of a guitar. The three visualized a new project on their own terms, and finalized their lineup with drummer Patrick Wall. Queen of Jeans instantly took root, earning praise for their aforementioned debut that showcased their glowing eye for detail. Along the way, they garnered attention from the likes of Wild Honey Pie, who called it a “welcoming beacon in the night” and Clash magazine, who labeled it a “riot of attitude and colour.”
Overwhelmed by the positive response, they vigorously developed their live set, testing it out in their hometown and on the road DIY touring, which eventually led to bigger opportunities. Those included WXPN's XPoNential Music Festival as well as Made in America and SXSW, all of which was rounded off by a full US tour alongside heavyweights Balance & Composure and From Indian Lakes - no small feat for a band with just one EP to its name.
Honing their sound through those experiences, the band crafted their debut LP with palpable care and consideration in the time since their first release. The result is Dig Yourself, out March 30th via their new home of Topshelf Records. It is a marked leap forward, a decadent and decisive nine-track record that immediately feels like a coming-of-age.
“The more we played, the surer of ourselves we became, but we also continued to encounter a lot of misogyny, “ the band expressed. “After a while, walking into venues to be greeted with comments like, ‘get your hand stamped if you’re the band’s girlfriends’, gets tired. But we didn’t let it deter us, if anything it continued to ignite a new, more assertive energy that has only continued to empower us. With Dig Yourself, we were finding the confidence and willingness to share more vulnerable and emotionally honest music, which served as both a cathartic exercise as well as our call to arms.
“This album is really the story arc of a relationship, be it with another person or simply the relationship you have with yourself,” they continued. “We chose an album name with a split meaning - to ‘dig yourself’ could mean to love yourself; rally behind yourself, or on the flip side, ‘dig yourself’ is a motion to try a little harder, find what’s there beneath the surface, explore your behavior and figure out what you’re actively trying to reveal to yourself.”
Dig Yourself is as much a reflection of inter-and-intrapersonal relationships as it is the story of the band’s evolution by its own right, exploring the ups and downs of life in its assurance, annoyance, paranoia, resignation, and ultimately re-evaluation.