KNITTING FACTORY PRESENTS

The Expendables: Blackout 2017

Event Info:

Knitting Factory Concert House - Boise
Boise , ID
Sunday Apr 23, 2017
Show: 8:00 PM
Doors: 7:00 PM
All Ages
$12.00 - $65.00

Additional Info:

ALL AGES

Meet & Greet Package On Sale: Wed, Feb 8 at 10am
General Ticket On Sale: Fri, Feb 10 at 10am

EARLY BIRD TICKETS - FIRST 100 ADVANCE TICKETS SOLD AT $12

The Expendables - Meet & Greet Package
Package includes:

  • One general admission ticket
  • Exclusive aftershow meet & greet with The Expendables
  • Personal photograph with The Expendables
  • Collectible tour poster autographed by The Expendables
  • Specially designed The Expendables trucker hat
  • Official meet & greet laminate
  • Limited availability
The Expendables
(Reggae)
The Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz, CA; surfing, skating, partying, and playing music were commonplace.  Since 1997, The Expendables have staked their claim in the California surf/rock genre by headlining venues from coast to coast.  Blending Reggae, Punk Rock, and 80s style dueling guitar solos, The Expendables have made heads turn and floors shake for years. ...
The Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz, CA; surfing, skating, partying, and playing music were commonplace.  Since 1997, The Expendables have staked their claim in the California surf/rock genre by headlining venues from coast to coast.  Blending Reggae, Punk Rock, and 80s style dueling guitar solos, The Expendables have made heads turn and floors shake for years. ...
The Expendables enjoyed a laid-back lifestyle growing up in Santa Cruz, CA; surfing, skating, partying, and playing music were commonplace.  Since 1997, The Expendables have staked their claim in the California surf/rock genre by headlining venues from coast to coast.  Blending Reggae, Punk Rock, and 80s style dueling guitar solos, The Expendables have made heads turn and floors shake for years. The band consists of four longtime friends: Geoff Weers (Guitar and Vocals), Adam Patterson (Drums and Vocals), Raul Bianchi (Lead Guitar) and Ryan DeMars (Bass). The first seven years of their career was fueled with three full-length, completely independent releases.  No Time To Worry (2000), Open Container (2001), and Gettin’ Filthy (2004), would bring in a combined total of over 40,000 units sold with no physical distribution and no record label.

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RDGLDGRN
(Alternative Rap)
RDGLDGRN (pronounced red gold green) have already distinguished themselves in the DC music scene. Their highly stylized sound (that Go Go drum beat- a distinct DC rhythm) takes hip-hop infused punk and indie rock to create something refreshingly unique, is getting attention from fans stretching far beyond the DC niche scene.  ...
RDGLDGRN (pronounced red gold green) have already distinguished themselves in the DC music scene. Their highly stylized sound (that Go Go drum beat- a distinct DC rhythm) takes hip-hop infused punk and indie rock to create something refreshingly unique, is getting attention from fans stretching far beyond the DC niche scene.  ...
RDGLDGRN (pronounced red gold green) have already distinguished themselves in the DC music scene. Their highly stylized sound (that Go Go drum beat- a distinct DC rhythm) takes hip-hop infused punk and indie rock to create something refreshingly unique, is getting attention from fans stretching far beyond the DC niche scene.  Comprised of three members who identify as Red, Gold, and Green, RDGLDGRN began making music in their basement studio, drawing from a vast and almost ironically diverse pool of influences like Chuck Brown, Vampire Weekend, Outkast, The Neptunes, and Bad Brains. What many might consider a wildly ambitious, even impossible task to pull off, RDGLDGRN managed to effortlessly combine genres of music to create something new, something all their own, and something that has the music industry buzzing with excitement.  It wasn’t just rock royalty that took notice of RDGLDGRN, the hip-hop community was also taken by the band’s unique sound. Genre-bending artist, producer, and designer, Pharrell Williams (N.E.R.D., The Neptunes), co-wrote and co-produced the standout track “Doing the Most”, lending his distinct style to one of the most unique tracks on the album that showcases Green’s undeniable talent for rapping and singing infused with Pharrell’s style of unusual beats and musical wit.  The result is a debut that truly demonstrates the group’s ability to straddle genre lines, to combine musical polarities and unite both artists and fans over music that’s multifaceted. However, it’s not the musical intricacies, or the obscure combination of influences, that make RDGLDGRN who they are. It’s their ability to create something entirely fresh and new, something that’s often overlooked in this state of the industry where musicians try to stay afloat by following trends. If you ask RDGLDGRN who their biggest influences are, they’d tell you the Beatles and Bob Marley. And while RDGLDGRN don’t exactly sound like those legendary artists, they do share in common something less tangible- they all have made it a point to carve their own path by creating something entirely unique.  RDGLDGRN (pronounced red gold green) have already distinguished themselves in the DC music scene. Their highly stylized sound (that Go Go drum beat- a distinct DC rhythm) takes hip-hop infused punk and indie rock to create something refreshingly unique, is getting attention from fans stretching far beyond the DC niche scene.  Comprised of three members who identify as Red, Gold, and Green, RDGLDGRN began making music in their basement studio, drawing from a vast and almost ironically diverse pool of influences like Chuck Brown, Vampire Weekend, Outkast, The Neptunes, and Bad Brains. What many might consider a wildly ambitious, even impossible task to pull off, RDGLDGRN managed to effortlessly combine genres of music to create something new, something all their own, and something that has the music industry buzzing with excitement.

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Tribal Theory
(Reggae)